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An investigation into twentieth century flute trios with special reference to representative works by Goossens, Sil'vansky, Raphael, Damase, Marx and Crumb

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dc.contributor.author Heunis D en
dc.date.accessioned 2016-09-22T08:13:37Z
dc.date.available 2016-09-22T08:13:37Z
dc.date.created 1992 en
dc.date.submitted 1994 en
dc.identifier.uri http://hdl.handle.net/20.500.11892/25691
dc.description.abstract This thesis ventures into the world of twentieth century chamber music, specifically the trios written for flute, cello and piano. It discusses the history of the trio, tracing its development from the trio sonata of the baroque period to the accompanied sonatas and specifically the sonatas with flute and cello obbligato. Six trios, each representing an example of a specific style period, have been selected for more detailed discussion, with particular reference to the various ways in which a sense of unity is achieved in each trio. A comprehensive list of 180 twentieth century trios has been compiled, including details of dedications, commissions and first performances. 163 composers from twenty countries, are represented. en
dc.language English en
dc.subject Musicology en
dc.subject Music technique en
dc.title An investigation into twentieth century flute trios with special reference to representative works by Goossens, Sil'vansky, Raphael, Damase, Marx and Crumb en
dc.type Masters degree en
dc.description.degree MMus en


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