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Der Aussenseiter in Heinrich B"olls epischer Kunst. Eine typologische Untersuchung

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dc.contributor.author Boonzaaier U en
dc.date.accessioned 2016-09-22T07:16:13Z
dc.date.available 2016-09-22T07:16:13Z
dc.date.created 1988 en
dc.date.submitted 1993 en
dc.identifier.uri http://hdl.handle.net/20.500.11892/9575
dc.description.abstract In this dissertation the use of the outsider in the epic art of B"oll is subjected to critical analysis in accordance with certain typologic models. The development of the concept of the hero in different eras is discussed chronologically, followed by an exposition of the etymological origins of the concept of the outsider, its forms of manifestation, its essential characteristics as well as the purpose to which authors, among whom B"oll, apply this figure. Different typological models, all work-immanent, are discussed. The main thrust is devoted to the identification model of H.R. Jaub, with reception aesthetics as axiom. In accordance with the reader's reception of the hero, five modalities of identification are defined namely associative, admirational, sympathetic, cathartic and ironical identification. Thereafter the occurrence of the outsider in the work of B"olls is discussed: in this regard all of his novels as well as some of his short stories are examined as well as interviews with B"oll and some of his. With regard to their reception by the reader, the outsiders of B"oll without exception belong to the last three modalities of Jaub - sympathetic, cathartic and ironical identification. Finally it is evident that the actuality of B"oll resides not only in his application of the outsider, but also in the message which his outsiders want to convey en
dc.language German en
dc.subject German literature en
dc.subject Prose literature and fiction en
dc.title Der Aussenseiter in Heinrich B"olls epischer Kunst. Eine typologische Untersuchung en
dc.type Masters degree en
dc.description.degree MA en


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